{"id":8488,"date":"2025-04-25T06:56:57","date_gmt":"2025-04-25T06:56:57","guid":{"rendered":"https:\/\/www.didiercohas.org\/?page_id=8488"},"modified":"2026-01-31T14:28:51","modified_gmt":"2026-01-31T14:28:51","slug":"photographie-roman-altruisme","status":"publish","type":"page","link":"https:\/\/www.didiercohas.org\/?page_id=8488","title":{"rendered":"– Photographie Roman : \u00ab Comment la photographie est-elle l\u2019autre ? \u00bb"},"content":{"rendered":"

Ma perception a lieu lorsqu\u2019un regard rencontre un autre ou voit \u00e0 travers un autre. Aussi, le photographe que je suis a-t-il besoin que\u00a0 \u00ab Le Regard\u00e9 \u00bb soit capable de regarder pour pouvoir percevoir l\u2019autre. Le regard\u00e9 ne peut se voir par lui m\u00eame, le photographe ne peut se voir que par le regard\u00e9. C\u2019est une relation sexu\u00e9e; croiser les regards signifie ne pas se voir uniquement \u00e0 travers soi. Le regardant et le regard\u00e9, c\u2019est \u00e0 dire la femme, l\u2019homme, l\u2019aimant et l\u2019aim\u00e9, l’enfant, la m\u00e8re, le p\u00e9re, le d\u00e9sirant et le d\u00e9sir\u00e9 : c\u2019est voir non pas les diff\u00e9rences mais les changements qu\u2019ils produisent en nous. Pour les voir j\u2019ai besoin de l\u2019image photographique o\u00f9 nous sommes r\u00e9unis et comme nous le savons un plus un ne font pas deux! Ces changements altruistes en moi sont mes narrations photographiques.<\/strong><\/em><\/p>\n

My perception occurs when one gaze meets another or sees through another. Therefore, the photographer in me needs \u00ab\u00a0The Looked At\u00a0\u00bb to be able to look in order to perceive the other. The looked at cannot see itself; the photographer can only see himself through the looked at. It is a sexual relationship; crossing gazes means not seeing oneself solely through oneself. The looker and the looked at\u2014that is, the woman, the man, the lover and the beloved, the child, the mother, the father, the desirer and the desired\u2014is to see not the differences but the changes they produce in us. To see them, I need the photographic image where we are united, and as we know, one plus one does not equal two. These altruistic changes within me are my photographic narratives.<\/p>\n

Depuis l\u2019\u00e2ge de 16 ans mon \u00e9criture photographique se cr\u00e9e, je suis pr\u00e9sent grav\u00e9 sur toutes les photographies que je prends avec l\u2019autre, c\u2019est mon histoire, ma fiction. Je suis reflet, ombre, trace, visage, corps, fiction, ligne, performance, photographi\u00e9, film\u00e9, moi pr\u00e9sent en l\u2019autre dans l\u2019image\u2026je cherche ce que la rencontre laisse comme trace de changement. Ces narrations photographiques sont au d\u00e9part des moments capt\u00e9es documentant les \u00e9motions partag\u00e9es puis lorsque le changement s\u2019est op\u00e9r\u00e9e au bout d\u2019un temps incertain voire plusieurs ann\u00e9es apr\u00e8s, ce sont des montages vid\u00e9os auxquels se rajoutent des performances dont seront issues les captures d’\u00e9cran. Des narrations de mes changements\u00a0en Photographie Roman<\/span>,\u2026\u00a0\u00bbJe suis en \u00ab\u00a0<\/strong><\/em><\/p>\n

Since the age of 16, my photographic writing has been created, I am present engraved on all the photographs that I take with the other, it is my story, my fiction. I am reflection, shadow, trace, face, body, fiction, line, performance, photographed, filmed, me present in the other in the image\u2026 I seek what the encounter leaves as a trace of change. These photographic narratives are initially captured moments documenting shared emotions then when the change has taken place after an uncertain time or even several years later, they are video montages to which performances are added from which the screenshots will be taken. Narrations of my changes in Photography Novel,\u2026 \u00ab\u00a0I am in \u00a0\u00bb<\/p>\n

didier cohas<\/p>\n\n\t\t