{"id":8442,"date":"2025-04-25T06:35:48","date_gmt":"2025-04-25T06:35:48","guid":{"rendered":"https:\/\/www.didiercohas.org\/?page_id=8442"},"modified":"2025-10-09T12:54:36","modified_gmt":"2025-10-09T12:54:36","slug":"roman-photographique-du-en-tant-que-au-parce-que","status":"publish","type":"page","link":"https:\/\/www.didiercohas.org\/?page_id=8442","title":{"rendered":"– Photographie Roman : \u00abDu ‘en tant que’ au ‘parce que’\u00bb"},"content":{"rendered":"

Photographie Roman: \u00abDu ‘en tant que’ au ‘parce que’\u00bb\/<\/strong><\/em>Photography Novel: \u00ab\u00a0From ‘as’ to ‘because'\u00a0\u00bb<\/p>\n

La Photographie Roman \u00abDu ‘en tant que’ au ‘parce que’\u00bb explore l’identit\u00e9 en photographie \u00e0 l’\u00e8re de \u00abL\u2019anthroposc\u00e8ne\u00bb, soulignant l’impact de l’homme sur son environnement et sa mise en sc\u00e8ne. \u00c0 travers quarante ans de photographie documentaire, j’examine une identit\u00e9 en constante \u00e9volution, recyclant mes souvenirs photographiques. Les notions de \u00aben tant que\u00bb (d\u00e9finissant notre identit\u00e9) et de \u00abparce que\u00bb (justifiant nos actions) sont interconnect\u00e9es et analys\u00e9es dans les images de cet album photographique.<\/strong><\/em><\/p>\n

En recomposant mes souvenirs, j’\u00e9tudie les d\u00e9terminismes influen\u00e7ant cette relation. En tant qu’\u00eatres symboliques, nous pouvons transcender les normes soci\u00e9tales. \u00abL\u2019anthroposc\u00e8ne\u00bb offre un contexte propice \u00e0 la red\u00e9finition de nos interactions sociales. Je plaide pour une r\u00e9\u00e9valuation des normes afin d’adapter nos pratiques aux d\u00e9fis contemporains.<\/strong><\/em><\/p>\n

Photography Novel \u00ab\u00a0From ‘as’ to ‘because'\u00a0\u00bb explores identity in photography in the era of the \u00ab\u00a0Anthroposcene,\u00a0\u00bb highlighting the impact of humanity on its environment and its staging. Through forty years of documentary photography, I examine a constantly evolving identity, recycling my photographic memories. The notions of \u00ab\u00a0as\u00a0\u00bb (defining our identity) and \u00ab\u00a0because\u00a0\u00bb (justifying our actions) are interconnected and analyzed in the images of this photo album.<\/p>\n

By reconstructing my memories, I study the determinisms influencing this relationship. As symbolic beings, we can transcend societal norms. The \u00ab\u00a0Anthroposcene\u00a0\u00bb offers a context conducive to redefining our social interactions. I advocate for a reevaluation of norms in order to adapt our practices to contemporary challenges.<\/p>\n

Nos identit\u00e9s se construisent sur des r\u00e9cits et des contextes sociaux, qu’il est possible de r\u00e9interpr\u00e9ter. Cette prise de conscience nous pousse \u00e0 r\u00e9fl\u00e9chir sur notre place dans le monde. Le passage du \u00aben tant que\u00bb au \u00abparce que\u00bb interroge ma relation avec ma nature.<\/strong><\/em><\/p>\n

La cr\u00e9ation de souvenirs photographiques soul\u00e8ve des questions sur la relation entre l\u2019identit\u00e9 corporelle et les intelligences artificielles qui la fa\u00e7onnent. Ce projet est une r\u00e9flexion sur notre capacit\u00e9 identitaire, et nos photographies, \u00e0 l’\u00e8re de \u00abL\u2019anthroposc\u00e8ne instagrammable\u00bb.<\/strong><\/em><\/p>\n

Our identities are built on narratives and social contexts, which can be reinterpreted. This awareness pushes us to reflect on our place in the world. The shift from \u00ab\u00a0as\u00a0\u00bb to \u00ab\u00a0because\u00a0\u00bb questions my relationship with my nature.<\/p>\n

Creating photographic memories raises questions about the relationship between bodily identity and the artificial intelligences that shape it. This project is a reflection on our capacity for identity, and our photographs, in the era of the \u00ab\u00a0Instagrammable Anthroposcene.\u00a0\u00bb<\/p>\n

didier cohas<\/p>\n